Viraamam, a documentary by Malavika VN, was showcased in the short documentary competition section at the 18th International Documentary and Short Film Festival of Kerala (IDSFFK) in Thiruvananthapuram. The film delves into the lives of film projectionists in Kerala, capturing their experiences as they navigate the evolving landscape of cinema technology.
The 16-minute documentary, originally a final year project for Malavika's visual communications course at St Joseph’s College, Bengaluru, offers a poignant look at the profession. It highlights the dedication and passion of projectionists, some of whom have adapted to technological changes, while others have left the field. Malavika, now an accomplished editor, revisited and reworked her student project to create a more polished narrative.
Vincent Joseph, a projectionist at Radha Theatre in Kozhikode, encapsulates the essence of the film with his metaphor: “Film projectionists are like candles. People rejoice watching movies that we screen, while we slowly melt.” This sentiment is echoed throughout the documentary, which features projectionists reminiscing about their experiences, including one who becomes emotional while handling the carbon rods of a 35mm projector.
Malavika's journey into the world of film projectionists began when her teacher, Johnson Rajkumar, introduced her to film preservation and restoration. This sparked her interest in exploring how technological advancements have impacted the lives of these professionals. Her interactions with projectionists in 2016-17 revealed their enthusiasm and passion for their work, which left a lasting impression on her.
Reflecting on the project, Malavika notes that much has changed since she first embarked on this journey. Her perspective has evolved, and she aimed to convey a sense of nostalgia and loss, while also inspiring viewers to appreciate their own work. The documentary is a testament to the love and dedication that projectionists have for their craft, and it seeks to evoke similar emotions in its audience.
Malavika, who has worked as an editor on films such as Madhura Manohara Moham and Vishesham, as well as on web series and documentaries, collaborated with state award-winning filmmaker Goutham Soorya to re-edit and enhance the visuals of Viraamam. Her experience includes an internship with the National Film Archives of India and a two-year stint with the Film Heritage Foundation, further enriching her understanding of the field.
The documentary not only highlights the personal stories of projectionists but also serves as a reminder of the cultural and technological shifts within the film industry. By revisiting her initial project, Malavika has crafted a narrative that resonates with audiences, inviting them to reflect on the changing dynamics of cinema and the enduring passion of those who bring films to life.
