For more than 60 years,Visakhapatnam has been a stunning backdrop for Indian cinema . Its beaches, hills and colonial architecture have drawn filmmakers from Telugu, Tamil,and Odia industries,eager to capture its charm. Often overshadowed by Hyderabad,but not ignored.
The journey began with Kula Gothralu in 1962,the first major film shot here. Dr . Rachakonda Parvathi, who was a child then,recalls the buzz it stirred among locals. “The shooting became most talked-about event in Visakhapatnam,” she said. “People treated the stars like they belonged to the city.”
Directors love the city's varied landscapes. Tollywood director Praveen Kandregula calls it one of southern India's most versatile filming spots. His film Subham (2025), shot mainly in Bheemili,felt more like a vacation than work. “We chose Bheemili for its expansive beach and wide frames,” he noted.
Even before big film crews arrived,Visakhapatnam was carving its cinematic identity. Dr . Parvathi remembers Beach Road of her youth, offering breathtaking sea views . The city also connects to stars like Waheeda Rehman,who spent part of her childhood here.
Kula Gothralu left a mark, capturing 1960s Visakhapatnam. Iconic spots like Dolphin’s Nose and the Sri Satyanarayana Swamy Temple became etched in memory. The film documented a town now much changed.
As the '60s went on,a theater movement in Visakhapatnam began feeding the film industry talent. Susil Kumar Misro, who acted while at A.V.N . College,was discovered during rehearsal at the Convocation Theatre. “They watched our rehearsal quietly and left,” he recalled . “Later they came back and told me there was a role for me.” That led to his debut in Needaleni Adadi (1974).
Filmmakers like K. Balachander cemented the city's reputation. His film Maro Charitra (1978) showcased its dramatic coastline . Misro, part of the film,noted Balachander’s love for the city’s geography. “He loved Visakhapatnam—the hills, the beaches, and the waves,” he said.
Over years,filmmakers continue to be drawn by the city's landscapes. Kandregula loves filming at Andhra University's century-old buildings for their timeless character. His Subham used Bheemunipatnam’s Dutch-era architecture,with scenes at popular Rushikonda and Tenneti Park.
Visakhapatnam's charm is not just in scenic beauty but its tranquility. Kandregula says,“Shooting here is mentally calming.” A peaceful escape from larger cities' chaos.
Despite its rich cinematic legacy, Visakhapatnam hasn't fully realized its potential as a film hub. Its unique landscapes and cultural heritage remain largely untapped, waiting for future filmmakers to explore...
